Venom car AI prompts

An empty, dark underground parking garage at night, seen from about 1 metre above the floor. Polished grey concrete floor with soft reflections, a long metal drainage grate running diagonally across the floor, yellow painted lines, concrete pillars, rows of cold white fluorescent strip lights on a low ceiling. Moody, cinematic, low-key lighting, deep shadows. No cars, no people. Vertical 9:16, photorealistic phone-camera night footage, no text.

Image 1 is a photo of my car. Image 2 is an empty underground parking garage. Show the exact car from Image 1 — same make, model, body shape, paint colour, wheels, grille, lights and badge — parked in the garage from Image 2, facing the camera at a front three-quarter angle, the whole car in frame and centred in the lower half, seen from slightly below headlight height. Its headlights and daytime running lights are on and glowing on the polished concrete. The paint is wet-glossy with sharp reflections of the strip lights. Vertical 9:16, photorealistic, no text, no people.

Image 1 is a photo of my car. Image 2 is an underground parking garage. A low-angle shot just above the polished concrete floor of the garage from Image 2, looking along the floor. In the middle distance, the metal brand emblem of the car in Image 1 lies flat on the concrete, small, catching the light. In the foreground, a puddle of glossy jet-black living liquid, viscous and wet like liquid latex, with many thin spiky tendrils, creeps toward the emblem. No car in the frame. Vertical 9:16, shallow depth of field, photorealistic, no text.

One continuous 10-second shot in a dark underground parking garage. The camera starts low, just above the floor, glides slowly forward, then arcs around to the front of the car while rising and pulling back. No cuts. 0–3 s: glossy jet-black living goo creeps across the concrete toward the car emblem lying on the floor, thin spiky tendrils feeling ahead. 3–4 s: the goo rears up into a clawed hand, grabs the emblem and swallows it. 4–5 s: it pulls into a smooth shiny dome, then bursts outward into a star of tendrils. 5–7 s: the tendrils shoot upward and harden into the car's bare chassis — frame rails, suspension arms, coilovers, brake discs, wheels and the engine — assembling piece by piece. 7–9 s: body panels flow over the frame and lock into the complete car of the last frame. 9–10 s: the headlights and daytime running lights flick on. Physical and mechanical, like a high-end VFX shot: the car is built, not morphed or faded in. Photorealistic, no text, no people.